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Grades 9 and 10 - Literature - High School - My Mother Said I Never Should - Language
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Avg score: 66% Most missed: “DORIS: My father turned up once, after we'd moved to Jubilee Street. Mother took…”

MCQs on the language. Language in My Mother Said I Never Should by Charlotte Keatley, which draws on emotion, relationship, childhood rhymes, birth, life, work, protest and death.  

The language is simple, clear and modern, which makes the richness of its subtext all the more outstanding.  The women in the play can barely communicate to one another without causing offense or dragging up old grievances.  Interspersed with the scenes set in real time are those of the Wasteground, in which the characters as children communicate in the long-remembered superstitious short-hand of the playground.

Grades 9 and 10 - Literature - High School - My Mother Said I Never Should - Language
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10 Questions

1. MARGARET: After you phoned . . . after you asked us . . . Daddy went upstairs and got your old high chair down from the attic. (Pause.) Like sisters, he said. A new little sister . . .
Which of the following words describes Margaret's and Ken's emotions at the thought of taking Rosie in?
2. DORIS: We're coming at Christmas. Or don't you want us this year?
What is the effect of Doris's negative phrasing?
3. DORIS: My father turned up once, after we'd moved to Jubilee Street. Mother took him back, of course.
Which use of language demonstrates that Doris sees some aspects of male/female relationships as inevitable?
4. MARGARET: Will we win the war?
DORIS: Not if you don't keep quiet and go to sleep.
How might Doris's response best be described?
5. DORIS: My father turned up once, after we'd moved to Jubilee Street. Mother took him back, of course.
Which use of language demonstrates that Doris sees some aspects of male/female relationships as inevitable?
6. DORIS: I'm not talking about that. (Cradles folded sheet). I'm talking about the desire . . . for little arms reaching up and clinging round your neck. (She buries her face in the sheet, then holds it out to Margaret to do likewise.)
Which of the following emphasizes the domesticity in Doris's lines?
7. ROSIE: Secrecy kills. (Pause.) — Nuclear secrecy.
What effect does the pause have in this line?
8. MARGARET: After you phoned . . . after you asked us . . . Daddy went upstairs and got your old high chair down from the attic. (Pause.) Like sisters, he said. A new little sister . . .
Which of the following words describes Margaret's and Ken's emotions at the thought of taking Rosie in?
9. DORIS: When Jack's parents came visiting I used to borrow the silver teapot from Next Door. Got in a fix one day, because Next Door's in-laws popped by the same afternoon.
What effect does the capitalisation of 'Next Door' have?
10. DORIS: I'm not talking about that. (Cradles folded sheet). I'm talking about the desire . . . for little arms reaching up and clinging round your neck. (She buries her face in the sheet, then holds it out to Margaret to do likewise.)
Which of the following emphasizes the domesticity in Doris's lines?