Critical Reading For Exams / Long Reading Comprehension 8


The following is an excerpt from The Gold Bug by Edgar Allan Poe

Here my friend, about whose madness I now saw, or fancied that I saw, certain indications of method, removed  the peg which marked the spot where the beetle fell, to a spot about three inches to the westward of its former po-  sition. Taking, now, the tape measure from the nearest point of the trunk to the peg, as before, and continuing the  extension in a straight line to the distance of fifty feet, a spot was indicated, removed, by several yards, from the  point at which we had been digging. 

Around the new position a circle, somewhat larger than in the former instance, was now described, and we again  set to work with the spades. I was dreadfully weary, but, scarcely understanding what had occasioned the change  in my thoughts, I felt no longer any great aversion from the labor imposed. I had become most unaccountably  interested—nay, even excited. Perhaps there was something, amid all the extravagant demeanor of Legrand—some  air of forethought, or of deliberation, which impressed me. I dug eagerly, and now and then caught myself actually  looking, with something that very much resembled expectation, for the fancied treasure, the vision of which had  demented my unfortunate companion. At a period when such vagaries of thought most fully possessed me, and  when we had been at work perhaps an hour and a half, we were again interrupted by the violent howlings of the  dog. His uneasiness, in the first instance, had been, evidently, but the result of playfulness or caprice, but he now  assumed a bitter and serious tone. Upon Jupiter’s again attempting to muzzle him, he made furious resistance, and,  leaping into the hole, tore up the mould frantically with his claws. In a few seconds he had uncovered a mass of hu-  man bones, forming two complete skeletons, intermingled with several buttons of metal, and what appeared to be  the dust of decayed woolen. One or two strokes of a spade upturned the blade of a large Spanish knife, and, as we  dug farther, three or four loose pieces of gold and silver coin came to light.  A. sight of these the joy of Jupiter could scarcely be restrained, but the countenance of his master wore an air of  extreme disappointment he urged us, however, to continue our exertions, and the words were hardly uttered when 

I stumbled and fell forward, having caught the toe of my boot in a large ring of iron that lay half buried in the loose  earth. 

We now worked in earnest, and never did I pass ten minutes of more intense excitement. During this interval we  had fairly unearthed an oblong chest of wood, which, from its perfect preservation and wonderful hardness, had  plainly been subjected to some mineralizing process—perhaps that of the Bi-chloride of Mercury. This box was  three feet and a half long, three feet broad, and two and a half feet deep. It was firmly secured by bands of wrought  iron, riveted, and forming a kind of open trelliswork over the whole. On each side of the chest, near the top, were  three rings of iron—six in all—by means of which a firm hold could be obtained by six persons. Our utmost united  endeavors served only to disturb the coffer very slightly in its bed. We at once saw the impossibility of removing so  great a weight. Luckily, the sole fastenings of the lid consisted of two sliding bolts. These we drew back—  trembling and panting with anxiety. In an instant, a treasure of incalculable value lay gleaming before us. As the  rays of the lanterns fell within the pit, there flashed upwards a glow and a glare, from a confused heap of gold and  of jewels, that absolutely dazzled our eyes. 

I shall not pretend to describe the feelings with which I gazed. Amazement was, of course, predominant. Legrand  appeared exhausted with excitement, and spoke very few words. Jupiter’s countenance wore, for some minutes,  as deadly a pallor as it is possible, in nature of things, for any negro’s visage to assume. He seemed stupified—  thunderstricken. Presently he fell upon his knees in the pit, and, burying his naked arms up to the elbows in gold, let  them there remain, as if enjoying the luxury of a bath. 

It became necessary, at last, that I should arouse both master and valet to the expediency of removing the treasure. 

It was growing late, and it behooved us to make exertion, that we might get every thing housed before daylight. It  was difficult to say what should be done, and much time was spent in deliberation—so confused were the ideas of all. 

We, finally, lightened the box by removing two thirds of its contents, when we were enabled, with some trouble, to  raise it from the hole. The articles taken out were deposited among the brambles, and the dog left to guard them, with  strict orders from Jupiter neither, upon any pretence, to stir from the spot, nor to open his mouth until our return. 



Which selection represents the best alternative title for this passage?

Almost Unfound
Where There are Pieces, There is More
From Here to There
From Madness to Millionaires
Never Give Up—Never Give In

Presuming the author ascribed an alternative meaning to \"confused” other than jumbled, which selection best identifies the literary device used with \"confused” line (33)?

Alliteration
Personification
Assonance
Onomatopoeia
Allusion

In context, the word \"mould” line (16) is best described as

Cast
Carved woodwork
Wooden container
Broken soil
Box

What can be inferred by \"removed, by several yards, from the point at which we had been digging” lines (4–5)?

The digging mark was moved from the initial point.
The point for digging had been changed by several yards.
The previous diggings were failures.
The exact spot to dig was not easy to measure.
The measurement of the tape had been incorrect initially.

Which selection best represents the phrase \"Here my friend, about whose madness I now saw, or fancied that I saw, certain indications of method” line (1)?

The narrator understood his friend’s methods as not mad.
The narrator finally realized his friend has gone mad.
The narrator discovered the method or cause of his friend’s madness.
The narrator only believes his friend has gone mad.
The narrator realizes that his friend went mad only temporarily.

Considering that an alternative meaning other than jumbled was used for the term \"confused”, select the best rationale for the phenomenon of the treasure’s confusion as related in lines.

The treasure was shocked to see people after so long.
The lamps casting a shadowy light would have caused distorted images.
The dog having just uncovered the remains of the treasure’s last owners was confusion.
The treasure didn’t think anyone would be able to open the box.
The gold and jewels were in a state of disarray.

The sentence \"Perhaps there was something, amid all the extravagant demeanor of Legrand—some air of forethought, or of deliberation, which impressed me” lines (9–10) is best an example of A. . B. C. D. E.

Figurative language
Characterization
Cause and effect
Aside
Foreshadowing

At what point in the excerpt was there a marked mood change?

Between paragraphs 1 and 2
Between paragraphs 5 and 6
Between paragraphs 2 and 3
Between paragraphs 3 and 4
Between paragraphs 4 and 5

In context, the word \"behooved” line (41) most nearly means

Was convenient
Was expeditious
Was necessary
Was smart
Was expedient

What was the likely origin of the \"three or four loose pieces of gold and silver coin” line (19)?

Coins previously on the corpses
A marker to indicate where the treasure was buried
A portion of the treasure
A buried treasure
Coins from the buried box