(1930s) From 1929 to 1939, art in America reflected and embodied the despair associated with the Great Depression, often raising social issues and concerns of the public. American artists of the decade rejected European abstract art in favor of realism and raw human emotion in order to emphasize the true plight of the destitute. The photographer Dorothea Lange made the desperation of the Depression visible to the general public via documentary photography, such as with her works Migrant Mother, White Angel Breadline, and Ditched, Stalled and Stranded; later, Lange would document the struggle of Japanese-Americans during World War II. Painters such as Aaron Douglas and Jacob Lawrence developed the visual art aspect of the Harlem Renaissance (a period of rebirth and freedom of expression for African-Americans in the early 20th century), highlighting African-American life — such as in Douglas' Aspects of Negro Life series — and exposing social injustices committed towards Blacks — such as in Lawrence's 60-panel Migration series. Edward Hopper depicted somber and realistic scenes of city life, such as with his paintings Nighthawks, Chop Suey, Automat, and Early Sunday Morning. Similarly, Grant Wood explored country life — especially Midwestern subjects in rural Iowa — in such works as American Gothic, Daughters of Revolution, Parson Weems' Fable, The Midnight Ride of Paul Revere, Appraisal, and The Birthplace of Herbert Hoover, West Branch, Iowa.