(1560s) The fall of Icarus is not the central image in this painting; the mythological youth's legs stick out of the water, barely noticed, near a large ship and a fisherman at the bottom right. Most of the painting depicts everyday scenes in the Netherlandish countryside, such as a farmer driving a horse while plowing his field and a shepherd staring up at the sky while attending to his sheep. In the distance can be seen a city with a harbor, which the ships in the painting appear to be sailing towards. The painting is famously depicted in W. H. Auden's poem 'Musée des Beaux Arts,' whose title derives from the Brussels museum where the painting is held.