(1905) Founded by Ernst Kirchner in Dresden, Die Brücke is so named because members of the movement saw themselves as the bridge between traditional and modern painting. Inspired by Fauvism, members of The Bridge followed similar ideals, utilizing violent juxtapositions of color; however, paintings of The Bridge were noticeably more intense, reflecting emotional agitation through scenes of city streets and sexually charged events in country settings. Besides Kirchner (Street, Dresden, Playing Naked People, Bathers at Moritzburg), other prominent members of The Bridge include Erich Heckel (Bathers in the Reeds, Weisses Haus in Dangast), Karl Schmidt-Rotluff (Woman with a Bag, The Factory), Fritz Bleyl, Emil Nolde (Blumengarten), Max Pechstein (Under the Trees), and Otto Mueller (Landscape with Yellow Nudes).