Patricia Simons has examined fifteenth-century Florentine female profile portraits arguing that they were not so much images of human individuals as highly idealized 'bearers of wealth,' and displayed a fixed repertoire of fetishized body parts, dress, and ornament to the appraising male eye. Based upon this argument, Simons is using a feminist approach combined with which of the following?

MCQs on the outlines of the major methodologies used by art historians and traces the major methodological developments within the discipline from the late nineteenth century through the late twentieth century.