Who interpreted Jan van Eyck's 'Arnolfini Portrait' as not only a depiction of a wedding ceremony but also as a visual contract testifying to the act of marriage?

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MCQs on the outlines of the major methodologies used by art historians and traces the major methodological developments within the discipline from the late nineteenth century through the late twentieth century.
 


Who interpreted Jan van Eyck's 'Arnolfini Portrait' as not only a depiction of a wedding ceremony but also as a visual contract testifying to the act of marriage?