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In the 1959 film The World, The Flesh and the Devil demonstrates the reluctance of the movie industry to break down interracial sexual barriers. In this film, the black actor Harry Belafonte shies away from intimate contact with the white actress Inger Stevens even though:

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MCQs on mass media as a cultural industry that seeks to shape our values and the underlying forces which allow for this to take place.
 


In the 1959 film <em>The World, The Flesh and the Devil</em> demonstrates the reluctance of the movie industry to break down interracial sexual barriers. In this film, the black actor Harry Belafonte shies away from intimate contact with the white actress Inger Stevens even though:






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